![]() ![]() ![]() This is designed for a dedicated workstation, a suite of screens, and a team of operators. Once you’ve given Pro Tools and iLink access to your computer, you’ll be inundated with messages about small changes Pro Tools is making in the background. Avid’s iLink required to install most versions, designed for audio editing suiteĪll versions except Intro require installation of Avid’s iLink which then downloads the app.The simplicity of Pro Tools interface with recently Imported tracks (Image credit: Avid) This simply means that it doesn’t require an iLok authorisation dongle, now accessed through the iLink app.Īvid’s commitment to educational discount pricing continues, offering the top version Ultimate to teachers and students for $299 a year. In contrast to all the other options, Intro has been made for disc based authorisation. Intro gives you the basics, with 36 plugins and virtual instruments, 8 audio tracks 8 MIDI tracks and 8 instrument tracks, 4 simultaneous recording inputs, 4 auxiliary tracks and 4 routing tracks. Benefits like a cheaper way back in for users who needed to update after a lapse which will now result in a drop to the most basic level, the new free Intro. These changes are ruffling feathers among long-time professional customers seeing their perpetual license benefits being edged out by the subscription model. You can try it free for 30 days with an iLink sign up. ![]() You’ll also benefit from 512 master tracks and 64 video tracks: surely enough for a number of high-end projects. For this you’ll get 256 simultaneous Core Audio and ASIO recording inputs, three quarters of which are HDX Hybrid Engine and HDX Classic, and the rest are HD Native. Pro Tools Ultimate is an advanced tool for high-end music production. Studio is priced at $29.99 a month or $299 a year As well as the native Celemony Melodyne 5 essential, Studio’s 64 simultaneous recording inputs come with Avid’s complete plugin bundle, 1 video track, and 128 VCA tracks. Pro Tools Studio, “the complete toolset for professional music production”, is aimed at indie studios, producers, and small house engineers. There is no Dolby Atmos functionality, advanced automation or video track. Artist also provides 16 simultaneous recording inputs and 1 master track. You’ll also find more than 100 plug-ins, as well as a range of music and SFX samples - 32 audio tracks, 32 instrument tracks, and 64 MIDI tracks. With over 75 plugins, it’s like being in your own studio.Updated support for Celemony Melodyne 5 essential means that it’s now native within the app and you get that at Artist level. The Complete Plugin Bundle enables you to sound your absolute best with access to every audio plugin Avid has to offer. Pro Tools Artist makes music creation fast and fluid, providing many of the same tools the pros use. Pro Tools Artist is the legendary DAW found in professional studios and gives you everything you need to make beats, write songs, record vocals and instruments, and mix studio-quality music ready to be heard across the world’s most popular streaming platforms. If you don’t choose an annual plan, your subscription will be moved to Pro Tools Intro. Both plans include the Complete Plugin Bundle, so you can use the same effects and instruments to continue making your tracks. Pro Tools Artist has everything any artist, musician, or producer will need to record studio quality tracks, make beats, and mix like a pro in a seamless DAW.Īt the end of the three-month subscription, you can purchase an annual subscription with 25% off Pro Tools Artist or an annual subscription with 33% off Pro Tools Studio. Get a three-month free subscription to Avid’s Pro Tools Artist and the Avid Complete Plugin Bundle, and a significant discount on annual plans. We are excited to partner with Avid for a fantastic bundle for all Scarlett and Clarett own ers. Three-month Avid® Pro Tools Artist and Complete Plugin Bundle subscription All the effects and tools an artist will ever need in a legendary DAW. ![]()
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![]() ![]() “When somebody so close to you dies, and you realize life is wildly unfair, you recalibrate,” Tashjian explains. She tells me the songs is based in part on a conversation she had with her partner after Billy’s passing. Over crunching riffs, barreling rhythms and soaring leads, Chrissy sings “Do whatever the hell it is you want to do / do whatever you want, I’ll be just fine / all I ask of you is to try your hardest to understand / I have to do the things I need to.” Today, we begin the journey with a deep dive on “No Obituary,” a track that very directly confronts the aftermath of loss at the center of the album. Later this week, we’ll bring you a record review, a video and an indepth interview from our conversation at Big Mama’s, all leading up to Thin Lips’ record release party this Friday, May 20th at Everybody Hits. ![]() By channeling personal lows into joyous anthems, it’s clear Thin Lips follows the latter on Riff Hard.Īll week long, we’ll explore the album on Unlocked, The Key’s recurring series on new and significant releases from Philadelphia regional artists. In general, it offers two paths: buckling down and wallowing in sorrow, or moving forward with a new resolve. As our conversation navigates these parallel events, talk turns more broadly to the grieving process and its effects. Over the course of the album’s making, the band encountered more than its share of personal tragedy – from the declining health of Diehm’s father to the sudden death of Mikey and Chrissy’s younger brother Billy. ![]() Recorded by Pulley at Headroom Studios, it’s a total blast: amplified, high-octane punk rock guitar jammers that are complex, catchy, fun - and most importantly, cathartic. Which carried over to our conversation.ĭiehm, along with bassist Kyle Pulley, drummer Mikey Tashjian and singer-guitarist-songwriter Chrissy Tashjian, just wrapped up a long run of production on Riff Hard – Thin Lips’ debut LP, out this week on Lame-O Records. The room has a markedly different vibe from the rest of the long-standing Fishtown arts community – instead of expansive floor-to-ceiling bright pageantry and reckless, paint-spattered abandon, this space is all about toned-down, quiet focus. It’s a rainy Monday evening and the guitarist of Philly punk four-piece Thin Lips has been getting deepy contemplative with his bandmates over beers as we gather in a side studio at Big Mama’s Warehouse. “What defines you as a person,” muses Chris Diehm, “is how you deal with tragedy.” ![]() ![]() The point here is the willingness to feel discomfort, to make it real. There have been times when I’ve received feedback and have been authentic with myself but have kept that hidden from the person giving the feedback. Only then can you know what to reveal and when”. In the article, Be yourself, but carefully (2013) Lisa Rosh and Lynn Offermann explore the idea that “authenticity begins with self-awareness: knowing who you are – your values, emotions, and competencies – and how you’re perceived by others. There are moments when keeping your authenticity and your authentic self-veiled feels like the only safe option. When receiving feedback during a fierce conversation, there are conditions that are conducive to being authentic, and some that are not. Scott argues that authenticity is not something you have, it is something that you choose. Principle 2: Come out from behind yourself into the conversation and make it real I attempt to make myself emotionally available to all valuable, genuine feedback. When with a leader who is asking me (with or without my permission) to interrogate my reality, I have to consciously endeavour to be open, be willing, be brave. ![]() This can become a barrier to interrogating my reality. In Dare to Lead (2018), Brené Brown argues that “our ego will do almost anything to avoid minimizing the discomfort associated with feeling vulnerable or even being curious, because it is too risky – what will people think? What if I learn something unpleasant or uncomfortable about myself?” However, Scott explores the idea of incremental degradation: “If we compromise at work … if we lower standards about how often we talk, what we talk about, and, most important, what degree of authenticity we bring to our conversation – it’s a slow and deadly slide.” I wear this invisible armour if I am with someone who I feel could damage me. My natural, unyielding inclination is to hide behind reticence, which serves to protect me, particularly if I don’t feel secure. There have been times when interrogating my own reality – how things are going for me – has been uncomfortable and doing so with another person can leave me feeling open and vulnerable. Scott suggests that “your version of reality is as good as anybody’s”, but to “keep in mind that reality can never be absolute”. The world is changing, and its people are changing as a result. Principle 1: Master the courage to interrogate reality I must have candid feedback in order to continue to improve, but how do you receive this information when it is sometimes painful and provocative? Scott outlines seven principles of Fierce Conversations. Perhaps not as much has been written or discussed about how to receive these conversations.Īs a leader in a school, I need to not only effectively initiate these important conversations – but I need to be the recipient too. Much has been written and discussed about delivering fierce (or difficult) conversations. Likewise, they might be conversations you don’t want to hear – but need to hear. However, fierce conversations at work are not cruel conversations – they are important ones perhaps conversations you might not want to have but need to have. And if we pause to consider the antonym of “fierce” we have: apathetic, indifferent, quiet and gentle. Scott defines “fierce” as robust, intense, strong, powerful and passionate. When your business is education, those conversations can change lives. ![]() The Fierce approach is built on a single premise – what gets talked about in a company, how it gets talked about, and who is invited to the conversation determines what will happen. ![]() It considers how to have conversations that really count. It is a rare day that I don’t have the book Fierce Conversations by Susan Scott (2002) in my work bag. ![]() Caroline Sherwood offers her reflections based around the seven principles of Susan Scott's Fierce Conversations Much has been written & discussed about delivering difficult conversations as a leader, but not as much has been said about how to receive them. ![]() ![]() ![]() No other sex tube is more popular and features more Lucie Wilde Nude scenes than Pornhub Browse through our impressive selection of porn videos in HD quality on any device you own. Discover the growing collection of high quality Most Relevant XXX movies and clips. 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The Raspberry Pi 4B's USB-C power port is also wired for data, as an "On The Go" (OTG) device. You can turn a Raspberry Pi 4 B into a Speedify USB gadget! Yann Guidon / YGDES has updated the log for analoglib.How do I turn a Raspberry Pi into a Speedify USB gadget?.Yann Guidon / YGDES wrote a reply on project log Complexité maximale.Timbe wrote a comment on PiBox Rapberry Pi 4 case.gedm-dev has updated the log for G-EDM.se-b-81 wrote a comment on Little Monster.Stephan Linz liked Gigatron TTL microcomputer.FulanoDetail has updated the log for DIY Mech/Exoskeleton suit.Alex Taradov on Cheap USB Sniffer Has Wireshark Interface.Paul Stoffregen on Cheap USB Sniffer Has Wireshark Interface.Joe Smith on Do Not Attempt Disassembly: Analog Wizardry In A 1960s Counter.Dan on A Super-Cheap Turntable Build For Photographic Purposes.Daniel Dunn on Review Of The YARD Stick One Radio Dongle.Putnam W Monroe on Do Not Attempt Disassembly: Analog Wizardry In A 1960s Counter.Retrotechtacular: A Closer Look At The VT Proximity Fuze 15 Comments Posted in digital cameras hacks, Video Hacks Tagged hd video, twitch, video capture, video streaming, youtube Post navigation Though if you want to get serious it would be worth taking a look at the impressive mobile streaming rig that saw at the BornHack 2019 hacker camp in Denmark. Our very own wrote about his experiments with streaming video over 4G on the Raspberry Pi which might be of interest to anyone looking to take their show on the road. As demonstrated in the video below, the setup was able to maintain the stream even as they walked in and out of buildings. With their software, the Pi is able to stream the video through two mobile phones connected to it over USB. ![]() ![]() ![]() But as you might have guessed, that’s where gets to flex their eponymous product: a VPN with software channel bonding that allows you to combine multiple Internet connections for higher bandwidth and reliability. Of course, the trick to all of this is getting the video stream uploaded over potentially flaky mobile networks. The operator is able to start and stop the stream at will using a Circuit Playground Express and a Python script. Whatever video source your audience and budget are comfortable with, it eventually gets fed into the Raspberry Pi 4 which uses an ffmpeg one-liner to encode the video and ultimately push it out as 720p at 24 FPS, which says seems to be about as good as the Pi can do. You could always swap out the Sony AS-300 camera and Elgato Cam Link capture device with cheaper versions, but the goal of this project was to deliver high quality HD video that’s comparable to what the professional rigs are capable of, so those kinds of concessions were avoided. As detailed here, it’s still going to cost you around $600. Now you’ll note we didn’t use the term “cheap” to describe this build. But believing that even slack jawed yokels like us should have access to the same technology, has been working on less expensive DIY alternative based on the Raspberry Pi 4. Were you aware that there’s a market for backpack-housed live streaming video systems, and that they can cost as much as $1600? Apparently these things are popular with social media moguls who want to stream themselves living their fabulous lives to people sitting at home watching on YouTube or Twitch. ![]() ![]() ![]() Best Black Friday Tool Deals 2021įrom top-rated appliances to the best power tool bundle deals, here are the best Black Friday Tool deals of 2021. The other added benefit for both retailers and risk-averse shoppers is that you can be assured of stock availability and insulated from shipping delays by purchasing early-and this year, that makes these early sales more worth your time and consideration than ever before. These preview sales serve a dual purpose: Because they expand the Black Friday sales window by weeks, they give you more time to buy and give the retailers more time to make money.Īs usual, there will be only a smattering of good deals amidst an avalanche of bad ones (though that’s true of Black Friday itself, too). 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Do power tools go on sale on Black Friday?.Is Black Friday a good time to buy tools?.Should you shop on Black Friday or wait until Cyber Monday?. ![]() Milwaukee 2720-20 M18 SAWZALL Reciprocating Saw.Milwaukee M18 Fuel 1/2-Inch Impact Wrench 2767-20.Milwaukee Tools Black Friday Deals 2021:.DEWALT 20V Impact Driver and Hammer Drill Combo Kit.DEWALT 20V Max Cordless Drill / Driver Kit.Best Hand Weeder: CobraHead Original Weeder and Cultivator Garden Tool Makita XT263M Lithium-Ion Cordless Combo Kit Milwaukee 18-Volt Lithium-Ion Cordless Combo Kit Ryobi P883 One+ 18V Lithium Ion Cordless Kit DEWALT DWMT72165 Mechanic Tool Kit and Socket Set IRWIN Vise-Grip GrooveLock Pliers Set, 8-Piece DEKOPRO 168 Piece Mixed Hand Tool Kit with Case ![]() ![]() It’s hard to come up with a better definition than that because the actual poems that call themselves odes vary a lot. The ode is a longer poem, serious or meditative in nature, commonly about events of a public nature, written in formal language and usually having a strict stanzaic structure. But most practitioners of the Ode in English have taken only some of the particulars of the Ancient ode to heart as they reproduce the form. Its origins are in the Latin poetry of the Roman Empire, and there its form is very strict. Some are very strict in form, some very loose. We’re not going to cover them individually. ![]() The Ode: The ode comes in a number of flavors-Pindaric, Horatian, English, Irregular. The subgenres, mostly subgenres of lyric, must still be recognized, however. Most poetry today, however, is written in the lyric mode: “Dramatic” and “Narrative” being largely taken over by prose fiction. This categorization of types held from the time of Aristotle (4th C. What had been the stuff of narrative poetry has become the purview of novels and prose fiction more often now.ĭramatic, poetry told from the point of view of a character. Narrative, epic poetry, poetry that tells a story in which a variety of characters speak and interact. Originally poems intended to be recited or sung to the accompaniment of a lyre. Lyric, poetry written from the first-person point of view of the poet. From the 19th-century on, they have lost categorical force. They derive from Aristotle (who used the word “epic” rather than “narrative”). Lyric, Narrative, Dramatic: the ancient poetic distinctions held until the 18th-century. 13) sees Silius as hinting at the apotheosized Vespasian in his closing divinization of Scipio, with the result that Silius’s earlier destabilizations of the positivity of apotheosis, particularly the apotheosis of the “key figure and symbol of civil war,”42 Julius Caesar, also color the poet’s generally-positive images of Vespasian and his dynasty.' (p.7 Some Other Forms: ode, ballad, elegy, epic, dramatic monologue, villanelle, sestina 13) argues that Silius situates multiple points of Roman civil war’s genesis throughout the events of the Second Punic War, from the defeat at Cannae to the eventual defeat of Hannibal, while also painting the portrait of a populus Romanus that already possessed the necessary character to descend into- and welcome-civil strife. 13) labels “geographical distancing.” (p. ![]() Extracts from editors' introduction: 'The same discourse of domestic and foreign, Roman and Other, also animates this volume’s readings of the Punica, which together identify an array of Silian approaches to the familiar strategy of situating anxieties externally, a strategy which William Dominik (ch. ![]() ![]() This image system is part of a wider, coherent, and yet still not often recognized strategy on Silius’s part to both distance the nefas of civil war from Flavian pax while simultaneously destabilizing that very distancing strategy. Within the Punica, the ensis and the sceptrum become interlocked images which foreground the violent potential embedded within Rome’s imperial structure. Parricide emerges from Silius’s epic as the paradigmatic crime of civil war, revealing a particularly Flavian preoccupation with the role of discordia within familial and perhaps even dynastic systems. Silius’s representation of dynasty, parricide, and the imagery of the ensis and sceptrum in the Punica comprises the focus of this chapter. ![]() |